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Courtly Love and Chivalry
This lecture/discussion was presented to the Joan of Arc Commandery on February 14, 2002. You have already heard the term "Courtly Love" used in the context of the Medieval Romances, but the German author, Gaston Paris in 1883, actually introduced this term. According to The Middle Ages, a concise Enclycopaedia, "Courtly Love received its finest expression in the songs of the 12th century troubadours in Languedoc. The actual nature of this highly ritualized code of love remains debatable; several sources have been suggested – Ovid’s Ars Amatoria, Hispano-Arabic poetry and Platonic thought, among others – but the language and imagery of Courtly Love reflect the feudal, courtly environment in which the concept evolved."
And, as women were present as spectators at these events, the ideals of service to Ladies and In the Arthurian or Grail Romances, these legendary adventures of Knights and their Ladies have enchanted generations, and imprinted these archetypal concepts into the Western Consciousness. Before these ‘Romances’ (which, BTW is derived form the French ‘roman" which applied to any long poem1) the essence of these ‘tales’ were the poem-songs of Troubadours in the courts of Southern France. Specifically, in these stories, the lover submits to his lady as a Knight to his lord, swearing loyal and enduring service. This woman is almost always unattainable by virtue of her social status or physical distance, and by her fear of social censure; it was, paradoxically, her vary distance that lent value to the lover’s patient suffering. The lady’s worth could be increased by dispensing merce (some token of her affection) to a worthy and deserving suitor, yet the Lady who submitted too soon would be condemned.
The lover’s inner struggle between his desire for immediate fulfillment and his awareness of the virtue of striving for the unattainable; between the self-imposed state of submission and the overwhelming need to express pain and resentment: it is these antithesis that lend the poetry of courtly Love its dramatic tension and release. But was there more, perhaps to it than that? Some have suggested, and poets such as Dante seem to hint - that in the apparent "worship" of the unattainable woman is perhaps the worship of the Virgin or "Our Lady" Sophia. The devotion to a lady in some instances, takes on a certain religious fervor, which perhaps honors and values the ‘feminine’ aspect of deity, exalting her to a degree that the church had not previously recognized her. In Courtly Love, the emphasis was on the difference between the cult of "True" Love (which was both earthly and heavenly), or Fin’amors, as contrasted with the Fals’amors of the majority (which was merely earthly); characterized by inconstancy, insincerity, and petty jealousy, and which excluded them from the loving elite. This Fin’amors was also to some a "distant love", which could only be attained by a renunciation of the deceitful love that characterized normal relations between men and women. This was also sometimes referred to as ‘Chaste’ Love, and in some of the Grail Cycles, Gawain and/or Parsifal is described as ‘Chaste’. As some of you may know from experience or
The first and most obvious difference between S & M and Chivalric devotion is this; if the Knight could draw the lady’s attention, and convince her of his pretz (worth) and valor (courage) that was further increased by his pure and noble Love – he would request merce (pity) and some reward. The Lady was bound by convention to comply with the Knight’s reasonable demands, much as a Lord would be bound to reward his faithful retainers; and if she failed to offer some favor or hope, she was branded cruel and heartless. So obviously, the Knight is not ‘enjoying punishment’ by some cruel and domineering master. Before we begin our discussion, let us meditate for a moment on ‘the cult of love’ as a vehicle
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